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Instigated by the city, these artists responded to it.
Looking to fuck womens, adult wife swingers denver colors do, phone numbers girls want money to have sex to nite girls in sutton fucking.Lastly, Jaume Plensa’s intervention in the landscape of Botafogo Bay—a monumental head that emerges from the reflective surface of the water that is part of the city’s classic picture postcard, in conjunction with Sugarloaf mountain—makes us rethink this landscape, viewing it differently, with a new and unexpected focus.It is through public initiatives like these that we can find a gateway into Brazilian society in order to bring quality culture from around the world to a space that is open, accessible, democratic and free, allowing people from all walks of life to relate to contents that are normally kept closed to all but a few.There is an element shared by the works that now occupy the city, which is the importance and necessity of relating to the idea of the milieu, that which unites us.This idea presents itself unmistakably in the Glass Labyrinth by Robert Morris, in the delicate clay Dome by Andy Goldsworthy, and in the wood Shellshelter by Henrique Oliveira, works that rely on an active relationship with the public in these new and unexpected spaces that have sprung up in the urban fabric.Rio de Janeiro is—literally—an open air art gallery.
The city is home to the largest collection of public art in Brazil, with more than 570 works on display in parks, plazas and streets, constituting a collection whose inception dates back to the 17th century.
Internationally prestigious artists who had never before created for the city were invited to propose major works for Rio de Janeiro’s urban landscape.
The six works in this first phase carry the signature of British artists Andy Goldsworthy (Cais do Porto) and Brian Eno (Arcos da Lapa), Spanish artist Jaume Plensa (Enseada de Botafogo), American Robert Morris (Cinelândia), Japanese Ryoji Ikeda (Arpoador), and Brazilian Henrique Oliveira (Parque Madureira). Enseada de Botafogo | Cinelândia | Arcos da Lapa | Cais do Porto | Praia do Diabo | Parque Madureira, Rio de Janeiro, RJ, Brazil The works by Robert Morris, Jaume Plensa, Andy Goldsworthy and Henrique Oliveira will be open to the public from September 7 through November 2.
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With this project, Rio joins the ranks of those cities that have accepted running that risk.